Our work is provoked by our intrigue into social behaviour and how it reflects the immense spectacle of our internal worlds.
Our devising process starts with the establishment of an ensemble. All the performers work closely together to find creative connections with each other, and to build a strong understanding as a theatrical ensemble. Over long research periods in the rehearsal room, the Root’s ensemble works to explore the many layers of cultural conditioning that affects our psychological and social behaviour, and then to peel away layers to examine what is left.
Our performances are usually based on a structure that invites debate and direction from the audience. By breaking down the fourth wall, we aim to enable our audience and performers feel fully present to each moment of the work.
We relish performers who crave to use theatricality to explore intimacy and openness in the rehearsal room, and who bring a willingness to venture straight out of comfort zones and into the mysterious depths of their creative mind.
Please email us if you’d like to be notified of future auditions, workshops, and production opportunities. We look forward to hearing from you.
Root Experience was founded in 2006 by Artistic
Director Simon Magnus. Currently, Simon is working with fellow Roots performer Jules Craig creating a one woman performance inspired by the life and works of avant-guarde poet Edith Sitwell. For more information see their website www.edithwho.co.uk
“Root Experience ensures that theatre is no longer just a spectator sport, but makes it interactive, educational and fun”Fringe Review
“The company deserves recognition for a refreshing theatrical approach.” Fringe Report
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So far we have created a number of performances and workshops within this project:
Beyond...
Jan 2010: Sold out performances The Hive nightclub in Seoul, South Korea.
Looking at the idea that we have all had an experience of feeling trapped in a strange place, the adrenaline rush of wanting to experience everything at once and the paralyzing fear that nails us to the ground. The performance invited the entire Seoul community to venture into the land of the lost and explore the different paths that lead us to new possibilities.
The performance was a collaboration of artists Simon Magnus, Oliver Bedford, and Kate Hamm that used H. G. Wells’ short story, The Country of the Blind, as a springboard for a show that combined shadow puppetry, object theatre, mime, clowning and much more.
Wells’ story was inspired by the old proverb, “In the Country of the Blind the One-Eyed Man is King." In his story a man is lost in a mountainous region and falls down a snowy cliff to find himself in a strange valley. Due to a mysterious illness centuries earlier, the people there have evolved without eyes. His challenge to communicate with the people and his need to show them what they’ve been missing drives him to derision.
Brief Encounters
Aug/Sep 2009: Bringing together both Asian and Western performers, our workshop series explored the masks that we all wear when coming into contact with 'the other', whoever that 'other' may be. They looked at the monologues that we build up about ourselves and 'the other' and the similarities that exist between cultures.
Brief Encounters was a street theatre performance created from these workshops and was performed around Seoul between August and September 2009. The piece delved into both cultures and drew out situations that both Korean and Western people can relate to, all without a single word. The show used humour and a cross-cultural cast, to explore the differences and similarities of both cultures.
Actors used a combination of facial expression, body language and unrecogniable, yet seemingly familiar, sounds for a home-grown project anyone could enjoy.
The performances played in Seoul at Hye Hwa, Cheonggyecheon Plaza and Hongdae.
Performers: Oliver Bedford, Amber Green, Kate Hamm , Liam Mitchinson, Hyunji Moon, Eunjung Nam, Haruka Onishi
The Shorts Show
An evening for individuals or groups of theatre practitioners to showcase or try out new work. The only immovable constraint was that events must last no longer than 20 minutes.
From comedy and monologues to dance and drama, the night was an exciting revelation into the minds of Seoul's current and future theatrical talent.
After each show the creator was be interviewed and invited to chat with the audience about their work.
The Shorts Show is a continuing project in Seoul now run by Probationary Theatre.